Weighed Found Wanting

A mysterious hand writes unknown words on the wall. The prophet deciphers them: “You have been weighed, and found wanting.” The king falls.1 An angel’s finger barely touches a warrior’s hip, and it jumps from its socket – yet its owner receives a victor’s name.2 Man is defeated / man is raised. Reality-check.

The medium is the material itself: glossy black enamel paint,3 which moves out from its support surface and, cross-linking, draws out the narrative. At the center of this spiderweb-like weave, a religious image is stuck: a cheap aluminium copy of a Theotokos, evoking the riza-casing of a Byzantine icon. The object and the paint are subjected to a trial by pressure:4 the same pointing gesture forces the material through the empty silhouettes of the figures. The result is a dense, root-like paint outgrowth – “manually 3D-printed” – which, at the point of exit, still takes on the outline of the holy pair (religious framing), only to cluster into a depersonalized, organic form. On the floor it finally lies sprawled out as spilled mass, off its leash (the medium is free).

Weighed Found Wanting

Lőrinc Borsos, Weighed Found Wanting, 2021, enamel paint, textile, aluminium riza, polistirol, chain, 200 x 150 x 150 cm, photo: Barnabás neogrády-Kiss.

Weighed Found Wanting

Lőrinc Borsos, Weighed Found Wanting, 2021, (detail), enamel paint, textile, aluminium riza, polistirol, chain, 200 x 150 x 150 cm, photo: photo: Barnabás neogrády-Kiss.

Weighed Found Wanting

Lőrinc Borsos, Weighed Found Wanting, 2021, (detail), enamel paint, textile, aluminium riza, polistirol, chain, 200 x 150 x 150 cm, photo: photo: Barnabás neogrády-Kiss.

Weighed Found Wanting

Lőrinc Borsos, Weighed Found Wanting, 2021, (detail), enamel paint, textile, aluminium riza, polistirol, chain, 200 x 150 x 150 cm, photo: photo: Barnabás neogrády-Kiss.

Weighed Found Wanting

Lőrinc Borsos, Weighed Found Wanting, 2021, (detail), enamel paint, textile, aluminium riza, polistirol, chain, 200 x 150 x 150 cm, photo: photo: Barnabás neogrády-Kiss.

Weighed Found Wanting

Lőrinc Borsos, Weighed Found Wanting, 2021, (detail), enamel paint, textile, aluminium riza, polistirol, chain, 200 x 150 x 150 cm, photo: photo: Barnabás neogrády-Kiss.

Weighed Found Wanting

Lőrinc Borsos, Weighed Found Wanting, 2021, (detail), enamel paint, textile, aluminium riza, polistirol, chain, 200 x 150 x 150 cm, photo: photo: Barnabás neogrády-Kiss.

  • 1

    Belshazzar of Babylon drinks from looted Jerusalem Temple vessels. The inscription, “Mene, mene, tekel, upharsin”, lists Aramaic measures (mina, shekel, halves); Daniel turns them into verbs. (Dan 5)

  • 2

    Jacob, alone at the Jabbok before facing Esau, the cheated brother. An anonymous opponent is held until dawn for a blessing. Israel: “he who strives with God”. The patriarch limps ever after. (Gen 32:24–32)

  • 3

    BLAEK – Old English word for quality black, versus SWART, the weak, matte black (Michel Pastoureau, Black). Lőrinc Borsos uses it for his signature glossy enamel paint, an industrial standard that both absorbs and reflects light.

  • 4

    János Pilinszky on radio, 1979: “A piece of plastic – a ruined washbasin – can be as sacred as the Evening Star. [...] Plastic must be made more plastic; at once it begins to cry, and under the ordeal lets out a scream like the martyrs’.”

Lőrinc Borsos

Lőrinc Borsos is a fictional artistic persona that has been developed since 2008 by János Borsos and Lilla Lőrinc. Both studied at the Hungarian Academy of Fine Arts. Their practice, grounded in the deconstruction of traditional artistic strategies and in collective and para-institutional approaches, connects the legacy of the Hungarian neo-avantgarde with contemporary media and technological transformations. Gradually moving from early painting to installation, speculative world-building, and alternative pedagogy, Lőrinc Borsos have realized a number of significant projects, including the exhibitions Nonentity (2016, ICA-D, Dunaújváros), For the Child of the Future (2023, Ferenczy Museum, Szentendre), and Narnia is a Lie (2024, Hessel Museum, USA). They are currently based at Art Quarter Budapest (aqb), where they maintain a studio and actively contribute to the institution’s activities.
 

Website: https://borsoslorinc.com/ & https://borsoslorinc.com/tranzit_eng/index.html
Instagram: @borsoslorinc