Hopecraft Ceremony

Somewhere between science fiction and reality, Hopecraft Ceremony seeks to immerse the audience in a utopian laboratory where survival is but a fleeting state. In a suffocating landscape, the performers wander in search of new connection strategies. Hopecraft Ceremony sees breathing as an act of sharing and explores its relational aspect as a condition for coexistence. In a hypnotic choreography, the performers oscillate between hope and abandonment, between breath of life and nostalgia. Each one lives in each other’s personal space. A relationship of interdependence collapses and renews itself constantly, creating a sensual reflection on vulnerability. Like a love poem in response to our time’s all-encompassing mourning, Hopecraft Ceremony aspires to livable futures of solidarity.

Hopecraft Ceremony

Hopecraft Ceremony, scenography by Inside Job (Ula Lucińska, Michał Knychaus) for the choreographic performance by Natasza Gerlach, ARSENIC - Centre d'art scénique contemporain, Lausanne, CH. Photo: Inside Job

Hopecraft Ceremony

Hopecraft Ceremony, scenography by Inside Job (Ula Lucińska, Michał Knychaus) for the choreographic performance by Natasza Gerlach, ARSENIC - Centre d'art scénique contemporain, Lausanne, CH. Photo: Inside Job.

Hopecraft Ceremony

Hopecraft Ceremony, scenography by Inside Job (Ula Lucińska, Michał Knychaus) for the choreographic performance by Natasza Gerlach, ARSENIC - Centre d'art scénique contemporain, Lausanne, CH. Photo: ARSENIC.

Hopecraft Ceremony

Hopecraft Ceremony, scenography by Inside Job (Ula Lucińska, Michał Knychaus) for the choreographic performance by Natasza Gerlach, ARSENIC - Centre d'art scénique contemporain, Lausanne, CH. Photo: Inside Job.

Hopecraft Ceremony

Hopecraft Ceremony, scenography by Inside Job (Ula Lucińska, Michał Knychaus) for the choreographic performance by Natasza Gerlach, ARSENIC - Centre d'art scénique contemporain, Lausanne, CH. Photo: Inside Job.

Hopecraft Ceremony

Hopecraft Ceremony, scenography by Inside Job (Ula Lucińska, Michał Knychaus) for the choreographic performance by Natasza Gerlach, ARSENIC - Centre d'art scénique contemporain, Lausanne, CH. Photo: ARSENIC.

Hopecraft Ceremony

Hopecraft Ceremony, scenography by Inside Job (Ula Lucińska, Michał Knychaus) for the choreographic performance by Natasza Gerlach, ARSENIC - Centre d'art scénique contemporain, Lausanne, CH. Photo: ARSENIC.

Hopecraft Ceremony

Hopecraft Ceremony, scenography by Inside Job (Ula Lucińska, Michał Knychaus) for the choreographic performance by Natasza Gerlach, ARSENIC - Centre d'art scénique contemporain, Lausanne, CH. Photo: Inside Job.

Hopecraft Ceremony

Hopecraft Ceremony, scenography by Inside Job (Ula Lucińska, Michał Knychaus) for the choreographic performance by Natasza Gerlach, ARSENIC - Centre d'art scénique contemporain, Lausanne, CH. Photo: ARSENIC.

Directed by: Natasza Gerlach
Performing artists: Elie Autin, Natasza Gerlach, Rafał Pierzyński, Pierre Piton, Juliette Uzor
Scenography: Inside Job (Ula Lucińska & Michał Knychaus) 
Costumes & makeup: Chaïm Vischel
Sound: Natasza Gerlach, Thibault Villard
Light: Jacqueline Sobiszewski
Technical director: Thibault Villard
Special thanks: Jule Flierl

Inside Job (Ula Lucińska, Michał Knychaus)

Ula Lucińska and Michał Knychaus work together as the Inside Job duo. Their practice is focused on the use of different mediums and materials, which often leads to the creation of multi-layered, object-based environments. Many of their projects refer to catastrophic scenarios in which hauntings from the past and futuristic speculations are intertwined. They are interested in the environmental, social, and geopolitical changes that shape the present and influence the imaginarium of possible futures. By incorporating fiction as working methodology, they explore its self-fulfilling potential—forecasting dystopias and utopias to examine their possibilities and limitations.
 

Website: https://ulalucinska.com/ & https://michalknychaus.com/
Instagram: @ula.lucinska & @michalknychaus