From The Ashes of ARIA
by Brandon Rosenbluth / Flynn Ascherr / Clay with Carina Erdmann / Tautum Pagna / Ash
A friend once told me that I don’t look like a Brandon—that it is not my true name. Now I have three names, but who (or what) is to say which is more true than the other? From one moment to the next they may oscillate—even integrate? Brandon, Flynn, Clay. At least Clay is a name which I (who is I, anyways?) chose, or rather channeled. It emerged from a field of relations, the situation, the environment in all its effervescence. It may still have been given to me, but if the me/I/he is not a stable entity—but recombining every moment in response to its surroundings—perhaps it is a conversation or a co-creation?
The transmission below is a transcription of my audio diary from ARIA: Worlds’ End Hackathon[1] as well as the text recited during the worlding session of my cohort, The Phoenix Keepers. “My” should be considered multiple here since it includes not only Tautum/Ash’s contributions (some explicitly marked in their voice/hand), but also the thinkers who most inspired us, who we studied during the Hackathon: Eduardo Viveiros de Castro, David Abram, Alina Popa & Florin Flueras, as well as Michael Marder and Arne Naess as the core inspirations of The Phoenix Keepers’ deep ecological thinking. My, the my of ARIA’s time-space continuum, was shaped by its natural surroundings and the preindividual mind-body-space we collectively conjured through the congregation of unstable identities/entities which converged for the four days in a parallel reality-under-de/construction. The my of an I transindividually con-figured, an anamnestic memory from the future-present with retroactive conatus; a hyperstitional self-fictioning whose conatus persists in an emergent oneiric equilibrium for and with and as the multitude of an extrahuman order.
While this I, as Flynn/Clay, may have died along with the ritual burial of this version of ARIA’s world and its co-instantiators’ characters, it was not an instant death, nor a complete and final disappearance, but a lingering, clutching specter, who still haunts me—ontologically trespassing, epigenetically infesting Brandon—a patina on this I’s emotional life—carrying the residue of Tautum/Ash’s coalescence. Not a phoenix who will regenerate and rise again from the flames, but an afterglow in the fertile ashes of our-selves.
… I cannot tell you how much there is to learn and let life play some instrument with you.
You might fight and struggle against it, but the sound will come out eventually in a rather
awkward and otherworldly fashion before you decompose and decompress into the sound
itself. I know this might sound scary, but what do you think, how you sound to me?
—From the ARIA notes of Tautum Pagna
DAY 1
The day started. Getting into our bodies. Tautum and I, under the main overhang, were joined by two hornets, each mirroring us as we stretched and did yoga. Mine, I'm afraid to say, was not so flexible, not so vital, but it managed to reincarnate by the end of our session. We had a very intense and inspiring morning ritual led by Sagery—creating language within our bodies, between our bodies; becoming a mycelial network of vibration and contact.
Tautum and I had a lot to discuss today, the shape of our worlding session took form. We began with some blessings, some singing, some observation of the natural environment translated into personal rhythms. We considered Butoh as a form of metamorphosis. But upon being advised by the Stewards, the path took a different turn. We began collecting rotten apples with the prospect of filling them with candles. But in the end, the apple became the object of focus, a sort of stigmata, a way to enter another’s body; with heat over the fire; to consume one, to become apple, to cannibalize. “We are the organs of this world, flesh of its flesh, the world is perceiving itself through us.” Flip surprised us with a visitation in another form, possessed. We learned some physical tools for dealing with catastrophe. We passed a marble through our bodies, through space. We moved sensation and awareness throughout every fiber of our being.
Tautum and I managed to carve our two symbols into the rubber blocks and print them on our T-shirts while reading from Unsorcery and from The Spell of the Sensuous, gathering further inspiration and text for our worlding session. After dinner, the Walkers guided us along their worlding session. After drinking some tea and being guided imaginatively to meet a silvery spirit entity in the sea, we were brought outside around a large clay sigil where we took some long, deep breaths and blew flour on different body parts of our neighbors’ bodies. We formed a flock of swallows; however, we did not move so gracefully as the swallows—we still need to learn to fly properly. After the failed attempt to organize a bonfire, we returned in our swallow flock formation to observe the beautiful, bright, clear moon in the night sky, gazing for the shooting stars. Thus began and ended the time spiral fragments of this day.
[Addendum:]
I neglected, maybe, to mention that I’m a Phoenix Keeper, and my name is Flynn Ascherr. During our Stewardly guidance, Nuk stepped into her new role, replacing Flip, and excelled beyond expectations, guiding us through an apple tasting, biting, licking, inspirational sharing session. Also, after the closing of the Walkers’ worlding session, we concluded the night with a pact to all dream of the same apple tree, and one another around it. We composed a chant that we sang, and we circumambulated the tree to get it in its full clarity and diversity; then we took a good long look at each other’s faces to remember to meet in the dream world.
![](/uploads/media/articles_media/from-the-ashes-of-aria/Screenshot-2024-12-27-at-19.00.22.png)
Worlds’ End Hackathon, photograph by Jonas Schoeneberg, commissioned by ARIA, OMSK Social Club, 2024.
DAY 2
Flynn Ascherr, Phoenix Keepers, day two of the ARIA continuum. Slept well, much better than the night before. The moon was high and bright. The previous day, I woke up in a sweat in the middle of the night—I think I was still coming into my body, feverishly rearranging my molecules. This morning the world seemed nascent. I woke up early, as I always do, before just about anybody else. Only the sounds of the rooster, barking dogs in the distance. I couldn’t see the mountain across—it was completely covered in fog. The world had yet to be rendered, and the sun was still low on the horizon behind the trees, invisible. Even as it rose, the distance, the world outside only appeared to materialize very, very gradually. It’s nice to enter the day in this soft way. Looking forward to our worlding ritual this evening, and seeing what kind of transformation it can bring within the group; to connect, reconnect their bodies, their minds, with our environment, and to inspire some sort of aim to live in an equilibrium.
This morning, our opening ritual was once again about language in the body, but using another body as a tool, communicating through that other body, then that body communicating through you, and then together communicating in unison, synchronicity. It was another beautiful opening exercise. The day continued with language, but with the devolution of language. We were visited by a presence from the future inhabiting the body of one of our group mates. They’ve led us on a journey to lose our language, in a process of whittling away; picking the 50 essential words, creating a new world just with those words, taking that world from the person beside us, mixing it with two other worlds, and then translating that through Mid-journey into images of that world.
Also, Tautum and I are making progress. Our worlding session is today, and I feel a little bit of pressure, but we walked through everything, and have quite a good idea of the dramaturgy, the duration; we worked out the small technical considerations together with the assistance of Corey. Still need to prepare the bonfire, which last night didn’t happen for the Walkers ritual, but tonight is essential for ours, so I’m trusting that it will manifest for us. We won’t have so much time to finish preparing our guided meditation parts, but I’m sure we’re going to manage. Our mantra is clear, and we are almost absolutely in sync. It’s a rare and very [pause] contentful kind of harmony to find.
I was touched this morning during the opening circle, when Tautum had a dream—not a good dream, but a dream—that signaled to them about not letting me be alone, about our togetherness. And um, every day it feels more and more true.
[Phoenix Keepers’ Worlding Session taken from Flynn Ascherr and Tautum Pagna’s notebooks]
Tautum:
As the wasps’ swift searching hum
Is to us
So are we to the trees
As are they
To the rocks and the hills
Our spontaneous experience of the world charged with subjective, emotional, and intuitive content, remains the vital and dark ground of all our objectivity.
Flynn:
We are channeling a culture that exists across space-time.
The enveloping and sensuous earth remains the dwelling place of both the living and the dead. The “body”, human or otherwise, is not a mechanical object, but a magical entity, the mind’s own sensuous aspect, and at death the body’s decomposition into soil, worms, and dust can only signify the gradual reintegration into the living landscape, from which all too are born.
Death initiates a metamorphosis wherein the person’s presence does not vanish from the sensible world, but rather remains as an animating force within the vastness of the landscape, whether subtly in the wind or, more visibly, in animal form. We will shift to another mode of attentiveness, with reverence for those forms that awareness takes when it is not in human form, when the familiar human embodiment dies and decays to become part of the encompassing cosmos.
Tautum:
"You are always stepping on someone else’s or some other thing’s horizon, on a horizon 'devouring everything that (from that perspective) looks like something.' If a perspective is a certain distribution of what is discernable and what is indiscernible, what is visible and what is invisible, what is inside and what is outside, it is at the horizon that perspective crashes.
[…] Keeping one eye inside and one eye outside, we are seeing double. And the inside and the outside see each other from inside/outside each other. The outside sees itself with our eyes, and trying to see it seeing us, we lose perspective. Entering a fictional body with divergent eyes, we also enter a fictional space. Where inside-outside meets outside-seeing, we reach somewhere else. There, the aperspectival is a crossing of incompatible viewpoints, and the horizon is doubled in X. An X-horizon stages not only the impossibility to position oneself at the horizon and see, but the necessity of seeing double (the it in the I, the I in the it).
[…] The middle of the X, the collision of perspectives, aligns knowing with the fear of the unknown as actual and conceptual sight inevitably fade to darkness. To alienate oneself and become “more what is not within one” represents an enabling rupture that leads beyond thought […] To carry an X-shaped perspective is to oscillate between worlds […]”[2]
Pick an apple from the tree that speaks to you. Let the apple pick you. Hold it in your hand and consume it with your focused gaze. How does the apple appear to you? What can you see or sense of it? Consider what you know about it without perceiving it until you have exhausted all your prior knowledge. Forget these assumptions for now and look at the apple with new eyes. Each apple is a world.
There is not one world and many perspectives but just one perspective and many worlds. Try the impossible task to imagine the world of the apple in front of you. How does it conceive of itself? As you perceive the apple, how does it perceive you? Imagine the insights of the apple. What is at its core?
Bonfire chant:
We are the organs of this world
Flesh of its flesh
The world is perceiving itself through us
[Each impaled, smoldering apple is bitten into and a piece consumed by the participants]
Flynn:
What is it that is eaten? The apple or the apple’s point of view?
[A guided meditation in total darkness]
You close your eyes.
I speak from the dream.
You are dreaming the last dream dreamt.
The dream drowns the world in a mirror.
The world looks inexpressively back at you, world loser.
Impersonally experience oneself.
You are nothing. You have nothing to worry about.
To realize the concept of nothingness is not to see nothingness but to die.
You are dead. In the cold dirt.
Decomposing. Food for the worms. Nutrients for the soil, moist and fertile.
A seed is planted in your depths.
You become apple seed. Sprouting tiny tendrils.
Very slowly you ascend through the earth. Expanding and multiplying your roots outward, reaching towards the faintly creeping light.
You break through, emerging as a sapling, bathing in the warmth.
Your branches extend. Leaves spring up all over your limbs.
You rise taller and taller, towards the sky.
Standing firm, you bear fruit as the first apples blossom from your branches.
Ripe, they fall to the ground with a thud.
You begin again.
[End]
// Access audio file here: https://tinyurl.com/ashesofARIA
I’m still processing the end of our worlding session. Tautum and I spent the whole day preparing, walking through all of the details, coordinating all of our assistants, our new honorary Phoenixes. By all accounts it was a success. The feedback was all quite positive, which was a relief to hear. From the inside some moments felt a bit excruciating, but from the outside, the tension was palpable and effective. The dramaturgy, the rhythm, it all worked as it needed to. The last-minute addition of soundtrack from Fis and Rob Thorne to the guided death and rebirth meditation really clicked with the text and added another dimension to the whole experience. Couldn’t be more grateful to Bellamy for tending the fire, keeping it going, even though we started it a bit too soon, and the procession of apple bearers took much longer than we anticipated. But the chanting [pause] at times was funny, at times it reached its altered zone—so the duration was not too long, I believe. I’m both relieved and proud, and lucky to have been able to be a Phoenix Keeper together with Tautum—we really clicked these days. And I’m looking forward to a day without the pressure of the worlding session, when we can just walk carefree, think and feel other things than apple … tree.
DAY 3
We woke up early, as we usually do. Tautum shared a nice moment of their dream with me. It was a beautiful flying dream which they thought was gifted to them by the wasp which stung them yesterday. Couldn’t remember my dreams any of these past days, but I did have a song in my head this morning by Carly Simon and I think I finally understood it. “I bet you think this song is about you, don't you?” She was really speaking to herself.
In the mornings I particularly enjoy our movement/body exercises. When Tautum and I do stretching, yoga, they seem to be more feline, slipping between jaguar and human. I wonder if today they might remain more jaguar after last night’s worlding session. I hope I’m able to coexist and communicate with the jaguar too. Maybe the worlding session has enabled that in me. It’s been quite inspiring to put all of our research into practice, to embody the Cannibal Metaphysics of Viveiros de Castro’s descriptions—shifting perspective, becoming animal—as well as activating the words of David Abram from “Spell of the Sensuous”, and our becoming apple—and all of the thought gymnastics that Alina Popa does in their “Unsorcery” essays. It’s been a rare opportunity to perform askesis, and I really need to find some way to integrate that into every day; to truly engage with the works that I research on my daily basis; bring them into the world.
![](/uploads/media/articles_media/from-the-ashes-of-aria/Screenshot-2024-12-27-at-19.00.00.png)
Worlds’ End Hackathon, photograph by Jonas Schoeneberg, commissioned by ARIA, OMSK Social Club, 2024.
We had quite the intense circle this morning. Winnie was alarmed, when during our Phoenix Keepers archival photo shoot we had broken the morning silence, she came to let us know about disturbing the others and noticed a note in June’s pocket with names on it, but that the names were going to be taken away by sunrise, or were they nouns or …? And then there was a general confusion because June wasn’t aware of this note, but then remembered it later, and then had it in the pocket, but the origin was unclear. And also during the sharing circle, Ezra spoke of his dream where he met a fan of his out in the valley here who asked for an autograph. And then he forgot his name, he forgot how to write, and the fan remembered his name, but then couldn’t write. And they both just started laughing. Maybe something was started yesterday during our visitation with this entity from the future that’s basically instructed us how to remove our language? And maybe they’re the thief? There were also some beautiful moments. Bellamy shared that last night after the worlding session, the thing they thought just before bed was, if the house was burning down and they could only keep one thing, they would keep the fire.
Before this circle, we had a really beautiful morning ritual as always, with Sagery, this time ending up in a circular formation on the floor with our hands on each other’s bellies, gradually intoning notes, different intensities, different pitches, in a sort of improvised score. I could feel the vibrations traveling through all of us—it was really unifying. Before we started the exercise, I didn’t see where everyone was sitting, just Bellamy on one side of me, and I believe it was Tay on the other. We had our hands on each other’s bellies; I could also feel their fingers on the other side—Bellamy’s or Tay’s, I didn’t know whose fingers those were. But later, while brushing the fingers on my left, I felt I knew that touch, even though I can’t say I’d experienced it much before, but I knew it was Tautum somehow, and later on after the ritual, my suspicion was confirmed—but I think suspicion is the wrong word, my intuition, rather—and it moved me to know that our connection has become so strong. That a really superficial caress can transfer so much information, so much embodied knowing and identification.
I must say, I’m quite satisfied with how our time capsule turned out. June came to document the installation we made with it, before we put it all in the capsule. We halved all of the apples and harvested the seeds. They made quite a beautiful picture. In the center was a board with melted candles from the ceremony and a card that I mysteriously found sitting in our sleeping quarters, playing cards from a deck I’ve never seen before. It was 10x and I just picked it up to collect our (strangely) pair of wasps who died in the window sill—everything seems to happen to us in twos. It just provided this perfect backdrop since (also strangely) the card had 20 little spaces with a kind of shrubbery around them—corresponding to the amount of seeds of our participants. We put it in the center on the board with melted candles and the apple halves above and below, aligned. And Tautum described our mantra, which people seem to have trouble forgetting, but for me now it’s getting a bit hazy—thankfully, it’s captured in the photographs from June … something about: we are the flesh of this world, or that’s kind of the gist of it. But I hope I can remember it for tomorrow, for the burial of the capsule because we intend to give everyone a seed and recite the mantra. When we started packing everything into the capsule, the 20 apples fit perfectly—couldn’t fit a single apple more. We added some ashes from the fire, some seeds, and the two wasps of course.
![](/uploads/media/articles_media/from-the-ashes-of-aria/Screenshot-2024-12-27-at-18.59.36.png)
Worlds’ End Hackathon, photograph by Jonas Schoeneberg, commissioned by ARIA, OMSK Social Club, 2024.
I was a bit surprised to hear from Winnie that she found Tautum to be aggressive, but I guess everyone has their own dynamics. We got into some quite deep conversations, first me and Tautum, and then with Winnie and Sagery while planning our capsule; contemplating the anthropomorphization of death, and how death for a tree doesn’t necessarily mean or feel the same as death for a human would; that trees can continue on, living in the branches that are planted, or becoming homes for other animals in the forest, or just having a completely different ontology of life and of death. We got deep into the nature of consciousness, the material basis of things, the oneness of consciousness—we really zoomed out.
Feeling kind of bittersweet, knowing that the end is just around the corner. It’s really been a beautiful, enlightening few days. I think it’s been a few days … I’m not really sure because I’ve lost track of time, but it seems like people here are existing in different time spirals anyways, so we’re all just converging for this moment, however long it feels to each of us, I hope it’s possible that we can converge again, at least most of us … but there’s no way of knowing.
The afternoon we spent with a visitor from the future, an ethnographer, Dr Živa. She made us all ethnographers and we had to experience some presentations from a tree healer and a forester from a perspective other than our own. Of course Tautum and I both independently opted to be apples. There were quite some funny and nice other perspectives from the iguana, the school play tree, the scenographer, and others. We experienced trees from some other perspectives which was nice after everything we did last night in our worlding session—but I don’t feel like saying too much more about it. I’m excited for the Exo Protos’ worlding session tonight, and I don’t want the night to end, really.
DAY 4
I’m sitting now in the early morning, and what may be for the final time in our tree house/nest, which we only just constructed and inhabited. Last night was a bit of tumult, but at least I’m grateful that my fellow Phoenix Keeper and I were able to find ourselves new names. Theirs came to me quite quickly as we carried the ashes of our worlding session handed to us by an unnamed name thief who instructed us to take the easy path back to our headquarters since we chose not to renounce our names forever and never have a new name again. The whole circumstance was quite unexpected, I mean, and it wasn’t just us, it was everyone, even the other Exo Protos who were hosting their worlding session, who seemed to be taken totally by surprise. The entity formerly known as Bellamy seemed to be possessed by a spirit from the past which came to take names—to do what with, we’re not sure. We don’t know if they can use all the names themselves or they just keep them locked away. I’m curious to see how this morning circle will be for those who chose to take the nameless path. But the worlding session from the Exo Protos is, in fact, what gave us our names, literally and figuratively. I decided to now be called Clay after we had fashioned their three-eared rabbits and three-winged wasps and other fanciful mutants out of the natural clay they brought for us during their worlding session. And of course, this was probably obvious—my partner in Phoenix keeping will now be known as Ash.
Finding it harder to formulate emotions into words this morning. I don’t know what the future holds. The end is always a bit scary and also a bit exciting, but it also means we’re able to rest, I suppose. And to stop struggling for a little bit—struggling for some collective vision. I hope we can carry these tools and experiences all with us to the next worlds we pass on to. Death is just a transformation after all … and all worlds end sometime. There is a stillness within me, which is quite precious, and aligning, and I wonder if this is how the Phoenix feels … just before it finishes immolating … in anticipation of a new generation. [Click]
[ARIA Funereal Chant]
We are the rising of the sun/moon
We are the wings that unfurl
We are the seeds that take root
When the earth swallows our world.
![](/uploads/media/articles_media/from-the-ashes-of-aria/Screenshot-2024-12-27-at-19.00.44.png)
Worlds’ End Hackathon, photograph by Jonas Schoeneberg, commissioned by ARIA, OMSK Social Club, 2024.
The shift from damnation to salvation, from the fear of apocalypse that haunts a world locked in solitary confinement to the joy of apocatastasis, is as dramatic as it is imperceptible. The universal transformation engendered by a shift of perspective towards reality is a cosmic redemption that carries little material trace.
—Federico Campagna, Prophetic Culture
Bibliography
ABRAM, David, The Spell of the Sensuous: Perception and Language in a More-Then-Human World, New York: Vintage Books, 2017.
CAMPAGNA, Federico, Prophetic Culture: Recreation for Adolescents, London: Bloomsbury, 2021.
CVEJIĆ, Bojana, & VUJANOVIĆ, Ana, Towards a Transindividual Self, Berlin: Archive Books, 2022.
FLUERAS, Florin, & POPA, Alina, UNSORCERY, Bucharest: Punch, 2021.
MARDER, Michael, “Disentangling The Phoenix Complex”, ŠUM pod, 2023, https://www.sum.si/podcast.
NAESS, Arne, “Self-Realization: An Ecological Approach to Being in the World”, in: DRENGSON, Alan (ed.), The Trumpeter, 4(3), Victoria B. C.: LightStar, 1987.
VIVEIROS DE CASTRO, Eduardo, Cannibal Metaphysics, trans. P. Skafish, Minneapolis: University of Minnesota Press, 2017.